Davis, “The Database as a Methodological Tool,” Digital Medievalist, 10 August 2017 Sarah Whitwell, “Resistance, Racialized Violence, and Database Design,” Sherman Centre for Digital Scholarship, McMaster University, 26 February 2018 Viktorija Vesna Bulajic (Minneapolis: University of Minnesota Press, 2007), 95-109 Lev Manovich, “Database as Symbolic Form,” Convergence 5, 80 (1999), 80-99Ĭhristiane Paul, “The Database As System and Cultural Form: Anatomies of Cultural Narratives,” in Database Aesthetics: Art in the Age of Information Overflow, ed. Katherine Hayles, “Databases,” in How We Think: Digital Media and Contemporary Technogenesis (Chicago: University of Chicago Press, 2012), 37-40 We also wanted to investigate how we might become more critically aware of database design’s history, logic, ethical questions, and potential for our scholarship, from research to teaching to working with students in other capacities. Since databases undergird almost every digital project, platform, interface, and tool, but not all databases are alike, we asked how we might better understand what databases are-and what they can be-as core components of digital liberal arts scholarship. Our inaugural meeting focused on databases. Faculty, students, and staff at all levels of digital skill are welcome to attend. Meetings usually combine 1-3 readings (a link to materials will be provided when necessary) and a case study for hands-on exploration. DLA’s Digital Fluencies Series investigates what it means to develop more critical facility and engagement with digital technologies.
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